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Graeme Richardson-Locke visits the FESPA Sweden Association at their Annual General Meeting where he spoke about FESPA’s Colour Champion Workshop and its benefits for digital and screen-printing companies.
PrintFactory’s Director of Sales EMEA, Toby Burnett discusses the software firm’s presence at FESPA 2019.
HEXIS will be attending FESPA Global Print Expo 2019 with two main objectives in mind, to celebrate its 30th anniversary and to demonstrate its commitment to design and innovation.
EFKA discusses their current wide product range.
Mimaki discusses how cutting-edge large format digital print technology can make an idea become a working reality.
Bert Benckhuysen, Senior Product Manager at Mimaki EMEA discusses the benefits of digital textile printing.
Many companies claim to be customer-focused. But EFI™ is different in that the company distinguishes between customer focus and true collaboration — collaboration that extends to its customers’ customers.
Graeme Richardson-Locke visits British fabric printer Standfast & Barracks and Ricoh’s customer experience centre in Telford to meet Jason Dale, Colour Champion CIP.
Brother's Sales Manager DACH & Marketing, André Albrecht discusses Brother's current direct-to-garment solutions.
Graeme Richardson-Locke continues in part 2 of his blog to describe his experience at ESMA’s AFIP 2019 conference in Dusseldorf.
Xeikon announced that it is partnering with Kotkamills, a Finnish company which develops repulpable, recyclable and renewable paperboards for packaging and food service applications.
Graeme Richardson-Locke attends the AFIP 19, Advanced Functional & Industrial Printing Conference organised by ESMA and located at their usual venue in Dusseldorf.
OmniPrint's CEO, Victor Pena discusses the current market landscape of direct to garment printing and how it is currently changing.
Corporate Knights, the magazine for clean capitalism is a Canadian research and publishing company dedicated to reporting on sustainable capitalism.
Laurel Brunner discusses the growing importance of ecolabelling plastic waste in the graphics industry.
Laurel Brunner discusses the decline in the paper business and how it must embrace change and address the uncertainty of its reactions to digital printing.
Laurel Brunner discusses how brands can improve their environmental impact by creating sustainable designs.
Paul Sherfield discusses the next step in colour assurance and client satisfaction.
Graeme Richardson-Locke shares his experience of attending FESPA’s Slovakian Association, SZSDT’s two-day textile workship in Bratislava that focused on techniques for printing on garments.
Laurel Brunner discusses digital printing manufacturers’ keen interest in the textile market. Digital printing has a wide range of technologies available and there are numerous opportunities in textiles, not least because of the environmental dimension.
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