The shift in climate change mitigation

by Laurel Brunner | 19/11/2019
The shift in climate change mitigation

Laurel Brunner discusses how sustainability has taken a prominent position amongst the customers of printers. Recently that interest has become more frequent and urgent as climate change has become more prevalent amongst political, economical and social agendas.

It’s been over ten years since we started the Verdigris project to raise environmental awareness within the worldwide graphics industry. In that time there have been sporadic flurries of interest in sustainability from printing companies, but rather more interest has come from their customers, the print buyers. But recently the flurries have started getting more frequent and urgent as climate change has jumped to the top of political and economic agendas, as well as social ones.

Why printers have been so reluctant to get with the sustainability programme is a bit puzzling. They only seem to recognise it when clients ask about what they are doing to improve sustainability and their capacity to deliver some sort of environmental sign off. As this generally has a cost attached to it, many printers embrace it as a value added extra, if indeed it is possible to deliver.

Mostly it isn’t unfortunately, which is why brand owners are starting to be a little bit more systematic in their enquiries. They want to know the environmental credentials of their print service providers, particularly for high value commissions. Often their enquiries take the form of surveys, asking service providers to answer a variety of questions about their sustainability measures and adherence to environmental standards. These are not the sort of generic surveys put out to all comers by the trade press and consultancies. Rather they are specific to a given brand’s concerns and are framed in line with the brand owner’s sustainability policies. They are also sector specific. For instance what IKEA wants to know about the environmental policies of their sign and display service providers, is not the same as what IKEA wants to know about their gravure printers‘ sustainability credentials.

The questions being asked range from the staggeringly complicated, through to the extremely simplistic. Supply chain queries are the hardest to frame because they tend to involve many unknown parties, and don’t lend themselves to binary responses. And different types of organisations use all manner of complex vendor communities. Asking the right questions can also be extremely tricky, if the responses are not to be muddled. For brand owners, identifying excellence in sustainability and environmental performance is difficult but this is what some big brands are trying to do.

Print buyers are starting to put real effort into quantifying the environmental commitments of participants in their graphic media supply chains. The goal for buyers is to be able to identify their most sustainable production options. They want to configure supply chains that share environmentally friendly practises within a common mutually supportive framework. This isn’t easy to do, but it could really help move climate change mitigation forwards.

Source Information:  This article was produced by the Verdigris Project, an industry initiative intended to raise awareness of print’s positive environmental impact. This weekly commentary helps printing companies keep up to date with environmental standards, and how environmentally friendly business management can help improve their bottom lines. Verdigris is supported by the following companies: Agfa GraphicsEFIFespaFujifilmHPKodakRicohSpindrift, Splash PRUnity Publishing and Xeikon.
 

by Laurel Brunner Back to News

Interested in joining our community?

Enquire today about joining your local FESPA Association or FESPA Direct

Enquire Today

Recent news

Special Effects in DTF Will Make Your “Prints” More Memorable
Substrates

Special Effects in DTF Will Make Your “Prints” More Memorable

The DTF market is expanding with new vendors and innovations like multi-head printers enabling diverse ink options (spot, neon). Decorative films offer streamlined special effects. Keypoint Intelligence tested metallic and glitter films, noting varied ease of use and wash durability. New technology using adhesive and foil directly promises further creative advancements in DTF.

24-04-2025
SmartHub – Expectations, opportunities and why you should attend!
Personalisation

SmartHub – Expectations, opportunities and why you should attend!

The SmartHub at Personalisation Experience 2025 in Berlin will showcase personalisation and smart production opportunities across industries like textiles. Featuring a Smart Factory Trail with brands like Inkcups and Trotec, and a conference with experts discussing AI, mass customisation, and profit strategies, it offers insights into reducing waste and boosting efficiency through digital methods. Panel sessions will explore growth, automation in textiles, and smart manufacturing.

24-04-2025
How is AI revolutionising Large Format Print?
AI

How is AI revolutionising Large Format Print?

Nessan Clearly discusses how AI in print relies on data pattern matching, already enhancing software for large format providers. He predicts that this will result in increased AI integration in workflow planning, job queue management, colour correction, image upscaling, and predictive maintenance via sensors and vision systems, ultimately streamlining operations and offering greater flexibility.

24-04-2025
One Ink for All? Exploring Pigment in Textile Printing
Inks

One Ink for All? Exploring Pigment in Textile Printing

Digital textile printing faces complexity due to diverse substrates requiring specific inks. The industry seeks a universal ink, with pigment ink showing potential. While traditionally for natural fibres, advancements aim to broaden its application, simplify processes by reducing pre/post-treatment, and improve sustainability, though challenges like hand feel on garments remain.

23-04-2025