The Powers of Printing White Ink

by FESPA | 24/11/2014
The Powers of Printing White Ink

In a new guest blog, FESPA Award winners Horizon Digital Print Solutions contribute top tips about how to get ahead in the world of print.

When you work in large format point of purchase printing there’s constant pressure to produce something different that will excite the over-exposed shopper. Finding a simple solution to raise the display out of the norm, while containing costs, can be the difference between securing a job and having it go to the competitor.

To achieve this it’s necessary to invest in the latest print technologies. UV-curable ink print presses, that print white as well as the normal CMYK inks, are a perfect example of this.

White ink printing has been around commercially for a few years now and its uses include overprint, under-print, spot, under-spot, fill and over-spots for rigids. When white ink is laid down first it creates a new starting base. This gives the ability to print any effect regardless of the material it’s printed on.  

To see why this is such a great advancement its important to understand that the process colour inks, for example CMYK, are in essence transparent and simply ‘tint’ the substrate; thereby taking on it’s specific qualities. Print blue on a silver metallic material and it will look a slightly washed-out metallic blue.  

However print a base white and then print blue and hey presto you’ve blocked out the effect of the metallic material and your colour will once again be bright, opaque, and with the finish you desire.

Therefore you can understand then why using white colour as a blocking device has quickly becoming a graphic designer’s favorite tool to produce daring new creative effects.

At this stage we’re all used to seeing this process used in varying levels of complexity on high-impact products such as labels, wallpaper, and wrapping paper.  During this Christmas season I’m sure you’ll be seeing lots of examples of it.

However what’s even more interesting is the other uses for it that are still being discovered. Recently our point of purchase print experts needed to create that chalkboard craft effect that is so popular at the moment.  If it could be printed directly on MDF then it would be an easy solution to creating a high-quality rustic look that could be die-cut into any shape necessary.

They discovered that it was easy to create a working chalkboard by using white as a base and then printing black ink over it. To make it even more realistic looking, instead of printing plain black, they produced artwork that already looked like a chalkboard and then printed it over the white ink. Suddenly it looks authentic and the MDF gives you the texture that will allow the chalk to write on it.  The board can be wiped off with a dry cloth and re-used just like any other chalkboard.

While it’s possible to purchase chalkboard material and chalkboard ink, it’s the ability to quickly adapt and produce the required result, without unnecessary costs and lead-time, that is so valuable to customers.

This is just one of the many fun innovations that are sure to be discovered as large printers learn more about the possibilities of the latest technology out there. Brands constantly want to produce something new and exciting for their campaigns and finding creative resolutions for them is a printer’s biggest and most exciting challenge.

by FESPA Back to News

Topics

Interested in joining our community?

Enquire today about joining your local FESPA Association or FESPA Direct

Enquire Today

Recent news

How to be creative with screen printing using special effects
Screen Printing

How to be creative with screen printing using special effects

Nessan Cleary discusses the advantages of screen printing in comparison to digital printing. There are various special effects that can be used with screen printing that can lead to higher profits and offers an crucial selling point for your business.

25-10-2024
How can improving your maintenance reduce your machine downtime
Software

How can improving your maintenance reduce your machine downtime

Nessan Cleary discusses the different ways you can improve your maintenance and how this can lower your machine downtime. He emphasizes the importance of having a service agreement.

24-10-2024
Can fast fashion be sustainable?
Textile Printing

Can fast fashion be sustainable?

James Gatica discusses the challenges faced with fast fashion and sustainability. He states that it is important that fast fashion changes how fashion is produced with textile printing at the core of this needed change.

23-10-2024
What distinguishes fine art printing from other print jobs?
Fine Art

What distinguishes fine art printing from other print jobs?

Nessan Cleary shares the difference between fine art printing and other print jobs as well as discussing the advantages of Giclee print and the importance of using high quality substrates and accurately colour managing the print.

22-10-2024