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Hertfordshire-based Millharbour Digital has delivered a branding project at Sushi Samba London to celebrate the UK Stem Awards 2017.
The wide format printing industry was quick to adopt colour management as a way of coming to grips with the wide variety of printers, inks, media, RIPs, and settings.
Wide format specialist PressOn has completed a programme of work for the Crossrail project.
A new study of advertising return on investment reveals that best results come when campaign mix includes out of home (OOH) along with television and digital media.
Buy, implement, build. Software is part of your everyday business life now. It is the primary tool of all businesses.
We take a look at some of the latest solutions on offer to print service producers in the textile print market.
According to a 2013 InfoTrends study, the global digital textile printing industry is worth around £115 billion (approximately $148 billion US) and growing.
Investing in the right wide format equipment is paramount for any digital print provider. With options more diversified than ever, just how do you find out which machine will really boost your shop?
If you want to find major emitters of global carbon dioxide, look no further than your city’s skyline.
The textile printing business is set to explode, thanks to digital printing technologies, but sustainability consultant Laurel Brunner says the boom in printed fabrics could aggravate the industry’s waste problem.
They say that nine tenths of anything is preparation. When it comes to graphics production projects, this maxim absolutely applies.
Mimaki Europe was recognised with prestigious awards and closed first sale of its new Tiger-1800B at the worldwide exhibition, which took place in Hamburg.
As digital printing keeps up its steady march across the graphics landscape, it’s easy to forget about progress in conventional printing, writes Laurel Brunner.
It’s impossible to develop relationships with all your social media connections. This article will help you determine which are actually worth your time.
Simon Eccles gives key tips and techniques for preparing images to look their best in large format.
In this incredibly convenient and efficient digital age, why are we still hung up on print? You might not believe that this is the case, but it’s true.
It’s not unusual to encounter examples of environmental ignorance or to hear alarming comments from people who should know better.
What to do if an image your customer really, really wants to use is one you know will look awful at the desired enlargement factor? Simon Eccles finds out more.
We all know what happens to printed paper when it’s sent off for recycling. It either gets burnt or sent for processing into new materials.
In her 250th Verdigris blog, Laurel Brunner looks at the growing awareness of sustainability in the graphics industry.
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